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Renaissance
Francesco da Milano - Toccata
Daniel Rubin
1:08 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 22 14 3 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 22 14 3 5 96%
 
Janequin: Au joly jeu
AymericHM
1:10 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 19 0 5 96%
Bass 15 14 0 5 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 19 0 5 96%
Bass 15 14 0 5 89%
 
Un jour je m'en allais / ti ti le li by Jacques de Wert SSATB with IPA
gmolstad
2:13 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano (only
for
practice)		 Treble 17 23 4 5 99%
Bass 15 0 2 5 55%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano (only
for
practice)		 Treble 17 23 4 5 99%
Bass 15 0 2 5 55%
Alto Treble 9 0 2 5 100%
Soprano
I		 Treble 13 0 2 5 100%
Soprano
II		 Treble 12 0 2 5 95%
Bass Bass 10 0 2 4 44%
Tenor Treble 8 0 0 5 44%
 
Vincenzo Capirola: Paduana descordata
H. Gürtler
2:46 Est. Play
Time
161 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 23 46 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 23 46 3 3 100%
 
Heinrich Isaac: Benedictus plus Spinacino
H. Gürtler
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 21 68 4 5 100%
Bass Bass 12 0 2 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 21 68 4 5 100%
Bass Bass 12 0 2 6 98%
Tenor Treble 12 0 3 6 89%
Alto Treble 13 0 2 6 86%
 
Scarborough Fair - Civilization VI England Medieval/Renaissance Theme
Zhaolin Liu
4:48 Est. Play
Time
169 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 34 68 8 7 100%
Bass 32 47 3 5 58%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 34 68 8 7 100%
Bass 32 47 3 5 58%
 
Lament for Kilcash arr. Cantiga
viola.ambera
3:51 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 15 25 0 7 99%
Bass 23 26 0 4 93%
Violoncello Bass 21 1 0 7 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 15 25 0 7 99%
Bass 23 26 0 4 93%
Violoncello Bass 21 1 0 7 73%
 
Short Melody No. 27
Huug Verschuijl
2:31 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 41 6 4 100%
Treble 16 13 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 41 6 4 100%
Treble 16 13 3 3 100%
 
Spy Ringing
LemoUtan
1:10 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 33 0 4 100%
Bass 13 29 0 5 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 33 0 4 100%
Bass 13 29 0 5 89%